Gene Clark Back in My Life Again

American singer-songwriter

Gene Clark
Background information
Birth name	Harold Eugene Clark
Born	(1944-xi-17)November 17, 1944 Tipton, Missouri, U.S.
Died	May 24, 1991(1991-05-24) (aged 46) Sherman Oaks, California, U.S.
Genres	Rock country stone folk stone folk country bluegrass Americana
Occupation(s)	Musician, singer-songwriter
Instruments	Vocals tambourine harmonica guitar
Years active	1963–1991
Labels	Columbia A&M Aviary RSO Capitol Takoma Sierra
Associated acts	The Byrds Dillard & Clark John York McGuinn, Clark & Hillman Jesse Ed Davis Carla Olson the New Christy Minstrels the Gosdin Brothers

Musical artist

Harold Eugene "Gene" Clark (November 17, 1944^[1] – May 24, 1991) was an American singer-songwriter and founding member of the folk rock ring the Byrds.^[2] He was the Byrds' principal songwriter between 1964 and early 1966, writing well-nigh of the ring's best-known originals from this period, including "I'll Experience a Whole Lot Better", "She Don't Care About Time", "Eight Miles High" and "Prepare You Complimentary This Fourth dimension".^[2] Although he did not attain commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic stone, bizarre popular, newgrass, country rock, and alternative country.

Biography [edit]

Life [edit]

Clark was born in Tipton, Missouri, the third of 13 children in a family of Irish, German, and American Indian heritage.^[3] His family moved to Kansas City, Missouri, where as a boy he began learning to play the guitar and harmonica from his male parent.^[4] He was before long playing Hank Williams tunes as well as songs by early rockers such as Elvis Presley and the Everly Brothers. He began writing songs at the age of 11.^[v] By the time he was 15, he had developed a rich tenor voice, and he formed a local rock and roll philharmonic, Joe Meyers and the Sharks.^[6] Like many of his generation, Clark developed an involvement in folk music because of the popularity of the Kingston Trio. When he graduated from Bonner Springs High Schoolhouse, in Bonner Springs, Kansas, in 1962, he formed a folk group, the Rum Runners.^[vii]

Formation of the Byrds [edit]

Clark was invited to join an established regional folk band, the Surf Riders, based in Kansas City at the Castaways Lounge, endemic by Hal Harbaum.^[8] On August 12, 1963, he was performing with them when he was discovered past the New Christy Minstrels.^[9] They hired him, and he recorded two albums with the ensemble before leaving in early 1964.^[10] Afterwards hearing the Beatles, Clark quit the New Christy Minstrels and moved to Los Angeles, where he met beau folkie and Beatles convert Jim (later on Roger) McGuinn at the Troubadour Club. In early on 1964 they began to assemble a band that would become the Byrds.^[eleven]

Clark wrote or co-wrote many of the Byrds' best-known originals from their offset three albums, including "I'll Feel a Whole Lot Amend", "Gear up Yous Gratuitous This Time", "Hither Without Yous", "Yous Won't Have to Cry", "If You're Gone", "The World Turns All Around Her", "She Don't Intendance About Time" and "Eight Miles High". He initially played rhythm guitar in the band, but relinquished that position to David Crosby and became the tambourine and harmonica player.^[12] Bassist Chris Hillman noted years subsequently in an interview remembering Clark, "At one time, he was the ability in the Byrds, non McGuinn, not Crosby—information technology was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could have their eyes off this presence. He was the songwriter. He had the 'gift' that none of the rest of the states had developed yet.... What deep inner part of his soul conjured upwards songs like 'Set You Gratuitous This Time,' 'I'll Feel A Whole Lot Improve,' 'I'k Feelin' Higher,' 'Viii Miles High'? So many keen songs! Nosotros learned a lot of songwriting from him and in the process learned a little bit about ourselves."^[13]

A management decision gave McGuinn the lead vocals for their major singles and Bob Dylan songs. This disappointment, combined with Clark's dislike of traveling (including a chronic fearfulness of flight) and resentment by other band members near the extra income he derived from his songwriting, led to internal squabbling, and he left the group in early 1966.^[14] He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Grouping with Bit Douglas, Joel Larson, and Nib Rhinehart.^[15]

Solo career, brief render to the Byrds and Dillard and Clark [edit]

Columbia Records (the Byrds' record characterization) signed Clark equally a solo artist, and in 1967 he released his first solo anthology, Gene Clark with the Gosdin Brothers. The Gosdin Brothers were selected to back him considering they shared the aforementioned managing director, Jim Dickson, and because Chris Hillman, who played bass on the album, had worked with the Gosdin Brothers in the mid-1960s when he and they were members of the Southern California bluegrass ring the Hillmen.^[16] The album was a unique mixture of pop, state rock and baroque psychedelic tracks. Information technology received favorable reviews, but unfortunately for Clark, information technology was released about simultaneously with the Byrds' Younger Than Yesterday, as well on Columbia, and (partly because of his 18-month absence from public attention) was a commercial failure.^[17]

With the time to come of his solo career in doubt, Clark briefly rejoined the Byrds in Oct 1967 as a replacement for the recently departed David Crosby; following an feet assault in Minneapolis, he left after merely three weeks.^[18] During this cursory period with the Byrds, he appeared with the band on The Smothers Brothers Comedy Hr, lip-synching the grouping'due south current unmarried, "Goin' Back"; he also performed "Mr. Spaceman" with the band.^[19] Although there is some disagreement amid the band'due south biographers, Clark is generally viewed equally having contributed background vocals to the songs "Goin' Back" and "Space Odyssey" for the forthcoming Byrds' album The Notorious Byrd Brothers and was an uncredited co-author, with McGuinn, of "Get to You", also from that album.^[18]

In 1968, Clark signed with A&M Records and began a collaboration with the banjo thespian Doug Dillard.^[20] Guitarist Bernie Leadon (afterwards with The Flying Burrito Brothers and The Eagles), bassist Dave Jackson and mandolinist Don Brook joined them to form the nucleus of Dillard & Clark; in addition, Michael Clarke briefly drummed for the group before joining The Flying Burrito Brothers.^[21] They produced two albums, The Fantastic Expedition of Dillard & Clark (1968) and Through the Morning, Through the Night (1969).

The Fantastic Trek of Dillard & Clark was a pivotal piece of work of acoustic country rock. It included such enduring songs as "Train Leaves Here This Morning" (a collaboration between Clark and Leadon prominently covered by the latter in 1972 on The Eagles' debut anthology) and "She Darked the Sun" (covered by Linda Ronstadt on her 1970 album Silk Purse). In contrast, Through the Morning, Through the Night was more indebted to traditional bluegrass simply as well employed electrical instrumentation. By this juncture, Dillard's girlfriend Donna Washburn had joined the grouping as a backing singer, a factor that precipitated the departure of Leadon.^[22] The shift to traditional bluegrass also caused Clark to lose interest.^[23] Written by Clark, the title song was used by Quincy Jones in the soundtrack of the 1972 Sam Peckinpah motion-picture show The Getaway; it was also covered by Robert Plant and Alison Krauss (forth with "Polly," another Clark-penned rail from the anthology) on their 2007 album Raising Sand. Both albums by Dillard & Clark fared poorly on the charts, but they are now regarded equally seminal exemplars of the country rock and progressive bluegrass genres.^[24] The collaboration with Dillard rejuvenated Clark's creativity but profoundly contributed to his growing drinking problem.^[25] Dillard & Clark disintegrated in tardily 1969 after the departures of Clark and Leadon. During this flow, Clark, Leadon, Jackson and Beck contributed to the debut album of Steve Young, Rock Table salt & Nails, released in November 1969.^[26]

In 1970, Clark began piece of work on a new single, recording ii tracks with the original members of the Byrds (each recording his part separately). The resulting songs, "She's the Kind of Girl" and "One in a Hundred", were not released at the fourth dimension, because of legal problems; they were included later on the 1973 album Roadmaster.^[27] In 1970 and 1971, Clark contributed vocals and 2 compositions ("Tried So Hard" and "Here This night") to albums by the Flying Burrito Brothers.^[28]

Frustrated with the music industry, Clark bought a house in Albion, California and married one-time get-go dancer and Bong Records product assistant Carlie Lynn McCummings in June 1970, with whom he had 2 sons (Kelly and Kai Clark). In semi-retirement, he subsisted on his still-substantial Byrds royalties throughout the early 1970s, augmented past income from The Turtles' 1969 American Pinnacle 10 hitting "You Showed Me", a previously unreleased composition past McGuinn and Clark from 1964 rearranged for the ring past Chip Douglas.^{[29] [30]}

White Light and Roadmaster [edit]

In 1971, Clark released his second solo album, White Light (the title was not on the cover sleeve, and thus some later reviewers mistakenly assumed that the championship was Cistron Clark).^[31] The album was produced by the Native American guitarist Jesse Ed Davis, with whom Clark developed a slap-up rapport, partly due to their mutual ancestry.^[32] An intimate, poetic and mostly acoustic piece of work supplemented by Davis's slide guitar, the album contained many introspective tracks, such as "With Tomorrow", "Because of You", "Where My Love Lies Asleep" and "For a Castilian Guitar" (which Bob Dylan reportedly hailed equally one of the greatest songs always written).^[33] All of the material was written by Clark, with the exception of Bob Dylan and Richard Manuel'southward "Tears of Rage". Launched to considerable critical acclaim, the album failed to proceeds commercial success, except in the Netherlands, where it was voted anthology of the yr by rock music critics.^[34] Once again, minor promotion and Clark's refusal to undertake promotional touring adversely affected sales.^[35]

In the spring of 1971, Clark was commissioned by Dennis Hopper to contribute the tracks "American Dreamer" and "Outlaw Vocal" to American Dreamer, a documentary that chronicled the fractious editing process of The Last Picture show.^[31] A rerecorded, longer version of the song "American Dreamer" was later on used in the 1977 film The Farmer, along with an instrumental version of the aforementioned song plus "Outside the Constabulary (The Outlaw)", a re-recording of "Outlaw Song".^[31]

In 1972, Clark attempted to record a follow-upward album. Progress was slow and expensive, and A&M terminated the project before completion.^[36] The resulting eight tracks, including "Full Circumvolve Song" and "In a Misty Morning", along with those recorded with the Byrds in 1970 and 1971 ("She'southward the Kind of Girl" and "One in a Hundred") and with the Flying Burrito Brothers ("Here Tonight"), were released in 1973 as Roadmaster in holland just.^[37]

Byrds [edit]

Clark left A&M in late 1972 to join a reunion of the original five Byrds. They cut the album Byrds, which was released in March 1973 past Aviary Records. While the album charted relatively well (U.Due south. No. xx), its placement did not live up to the characterization's initial expectations in the wake of the recent success of Crosby (Crosby, Stills, Nash & Immature) and Hillman (a member of Stephen Stills's ring Manassas). Clark's compositions "Total Circle" and "Changing Eye" and the Neil Young covers on which he sang the lead vocal ("Encounter the Heaven Almost to Rain" and "Cowgirl in the Sand") were widely regarded as the standout tracks on the critically divisive anthology.^[38] Disheartened past the bad reviews and unhappy with Crosby's functioning equally the record's producer, the group members chose to dissolve the band.^[39] Clark briefly joined McGuinn'south solo group, with which he premiered "Silver Raven", arguably his well-nigh celebrated post-Byrds song.^[38]

No Other [edit]

On the basis of the quality of Clark's contributions to Byrds, David Geffen signed him to Aviary Records in early 1974.^[40] The label was the home of the most prominent exponents of the vocalist-songwriter movement of the era and carried the kind of hip cachet that Clark hadn't experienced since his days with the Byrds.^[41] While composing the anthology, he spent long periods with a notebook and an acoustic guitar at the picture window of his home, deriving inspiration from staring at the Pacific Ocean.

Produced by Thomas Jefferson Kaye with a vast array of session musicians (including members of The Section and the Allman Brothers Band) and backing singers, the ensuing No Other fused elements of country stone, folk, gospel, soul and choral music with poetic, mystical lyrics.^[42] Although the album was praised by critics, its unconventional arrangements (which anticipated the after innovations of Lindsey Buckingham, Stevie Nicks and Christine McVie)^[43] limited public appeal. Furthermore, its loftier product costs (exceeding $100,000) prompted Geffen to publicly berate Clark and Kaye.^[44] The album was minimally promoted and stalled in the Billboard anthology chart at No. 144.^[45] In 2013, members of the bands Beach House, The Walkmen, Grizzly Carry, and Fleet Foxes performed the album in its entirety in a series of concerts.^[46]

Clark's return to Los Angeles to record the album resulted in his reversion to a hedonistic lifestyle and accelerated the disintegration of his matrimony.^[47] Disillusioned past professional person and marital failure, he mounted his showtime solo tour by road, playing colleges and clubs with Roger White (lead guitar and backing vocals) and Duke Bardwell (electric bass, backing vocals and acoustic guitar); the drumless trio was billed as Gene Clark and the Silverados.^[48]

In 2019, a remastered/remixed version of No Other was released.

2 Sides to Every Story [edit]

After the commercial failure of No Other, Clark was dislocated about his artistic direction. Throughout 1975 and 1976, he had hinted to the press that he was assembling a set of "catholic" songs fusing land rock with R&B and funk, elaborating on the soundscapes of his well-nigh recent album. In 1976, he recorded a fix of ten demos that combined country and folk music with a light touch of cosmic consciousness. These were submitted to RSO Records, which promptly bought out Clark's Asylum contract and issued the long-gestating Two Sides to Every Story in 1977. The album—a melange of bluegrass, traditional honky tonk, echoes of No Other ("Sister Moon") and strident state stone (a new organisation of "Kansas Metropolis Southern")—was produced by Kaye with an understated touch.^[49]

The emotional fallout from his divorce is reflected in the album title and several of Clark'south compositions, including the aforementioned "Sis Moon", "Lonely Saturday", "Past Addresses", "Silent Crusade" and "Hear the Wind". The album likewise contains covers of the traditional "In the Pines" (a fundamental component of Clark's alive repertoire with the Silverados) and "Give My Honey to Marie" past James Talley. Once once again, his mode of sensitive balladry failed to achieve success on the U.Due south. charts. In a belated attempt to discover an appreciative public, he reluctantly overcame his travel anxiety and launched an international promotional tour with the KC Southern Band.^[50] Some vi weeks before his decease in 1991, Clark told interviewer Nib Wasserzieher that he considered Two Sides to Every Story his best album, rivaled only by No Other.^[51]

McGuinn, Clark & Hillman [edit]

For his British tour dates, Clark establish himself on the same beak as ex-Byrds Roger McGuinn and Chris Hillman, each fronting their ain bands.^[52] Before long afterward returning to the U.s.a., Clark and McGuinn began touring as an acoustic duo. Subsequently Hillman joined his former bandmates, the reformed trio named themselves McGuinn, Clark & Hillman and signed with Capitol Records.^[53] Produced by the Albert Brothers (who had recently recorded Crosby, Stills & Nash's 1977 comeback anthology), the ensuing McGuinn, Clark & Hillman (1979) was a rebirth in both performing and songwriting for Clark, who ensconced himself every bit the group'southward ascendant creative strength. He wrote four songs for the album, including "Backstage Pass" (a rumination on the ennui of touring and his fright of flying), "Release Me Girl" (a disco-inflected collaboration with Thomas Jefferson Kaye), the UFO-inspired "Feelin' College" and "Piddling Mama".^[54]

Many critics felt that the album's slick production and disco-influenced soft stone rhythms didn't flatter the group, but the album reached No. 39 on the Billboard 200 (underpinned past the McGuinn-penned "Don't Yous Write Her Off", which peaked at No. 33 in May 1979) and earned a RIAA gold certification, selling well enough to generate a follow-upward.^[55] McGuinn, Clark and Hillman's second release was to have been a full group effort entitled City; although it was ultimately released in 1980, a combination of Clark's unreliability (including experimentation with heroin) and his dissatisfaction with their musical direction (mostly regarding Ron and Howard Albert's product) resulted in the album being credited to "Roger McGuinn & Chris Hillman featuring Gene Clark." Despite the turmoil, Clark penned the song "Won't Permit You Down". By 1981, Clark had left, and the group recorded one more album as "McGuinn/Hillman".^[56]

Rehabilitation, Firebyrd and So Rebellious a Lover [edit]

Clark moved to Hawaii with Jesse Ed Davis to try to overcome his drug dependency, remaining there until the cease of 1981.^[57] Upon his return to Los Angeles, he assembled a new ring, the Firebyrds, and in 1982 proceeded to record what would eventually become the album Firebyrd. While waiting for the album to be released, Clark joined up with Chris Hillman and others in an abortive venture called Flyte, which failed to secure a recording contract and was speedily dissolved.^[58] The eventual release of Firebyrd in 1984 coincided with the emergence of jangle rockers similar R.E.M. and Tom Footling, who had sparked a new interest in the Byrds. Clark also began developing new fans among LA'due south roots-conscious Paisley Clandestine scene.^[59] Subsequently in the decade, he embraced his new status by actualization as a guest with the Long Ryders, in a session arranged past Saul Davis and he cut an acclaimed duo anthology with Carla Olson of the Textones titled And then Rebellious A Lover (including the notable "Gypsy Rider" and "Del Gato") in 1986. The album included contributions from Chris Hillman, Stephen McCarthy (of The Long Ryders) and Randy Fuller (of the Bobby Fuller Four) and was produced and arranged by session drummer Michael Huey.^[60]

Later career, disease and death [edit]

In 1985, Clark approached McGuinn, Crosby and Hillman regarding a reformation of the Byrds in time for the 20th anniversary of the release of "Mr. Tambourine Man".^[61] The three of them showed no interest. Clark decided to assemble a "superstar" collection of musicians, including ex-Flight Burrito Brothers and Firefall member Rick Roberts, ex-Embankment Boys vocalizer and guitarist Blondie Chaplin, ex-Band members Rick Danko and Richard Manuel, and ex-Byrds Michael Clarke and John York. Clark initially chosen his band "The 20th Anniversary Tribute to the Byrds" and began performing on the lucrative nostalgia circuit in early 1985.^[62] A number of concert promoters began to shorten the band's name to "the Byrds" in advertisements and promotional fabric.^[61] As the band continued to tour throughout 1985, their amanuensis decided to shorten the name to "the Byrds" permanently, to the displeasure of McGuinn, Crosby and Hillman. Clark somewhen discontinued performing with his own "Byrds" band, merely drummer Clarke continued on with Skip Battin (occasionally with ex-Byrds York and Factor Parsons), forming another "Byrds" grouping, prompting McGuinn, Hillman, and Crosby to go on the road every bit "the Byrds" in an attempt to constitute a claim to the rights to the proper name. Their effort failed this time; Clark was not included in the reunion, primarily because of his involvement with the act that didn't include them. Crosby finally secured rights to the name in 2002.^{[63] [64]}

Despite the critical success of So Rebellious a Lover, which led to several TV appearances (including Nashville Now), Clark was increasingly afflicted with serious wellness problems, including ulcers and alcohol dependence. In 1988, he underwent surgery to remove a malignant ulcer.

A menstruum of abstinence and recovery followed until Tom Lilliputian covered "I'll Experience a Whole Lot Meliorate" on Full Moon Fever (1989), yielding a windfall of royalties from the album (which peaked at No. iii in the Usa) to Clark. Flush with money, he began to neglect his professional obligations. Although the circumstances remain nebulous (with Carla Olson citing alleged financial improprieties), the binge also precipitated his final break-upwards with Terri Messina, who had had a ii-decade on-over again, off-again human relationship with Clark.^[65]

During this period, The Byrds set aside their differences long enough to appear together at their induction into the Rock and Roll Hall of Fame in January 1991, at which the original lineup performed several songs together, including Clark's "I'll Feel a Whole Lot Improve".^[66]

Clark'due south health connected to turn down equally his substance abuse accelerated, and he was diagnosed with throat cancer in early 1991. He died on May 24, 1991 at the historic period of 46 from a bleeding ulcer due to alcoholism. He was buried at St. Andrews Catholic Cemetery in Tipton, Missouri, beneath an epitaph that reads "No Other." ^[67]

Covers and tribute songs [edit]

During his career and after his decease, Clark's songs have been covered by a number of artists. Iain Matthews was an early promoter of Clark's songs, covering "Polly" on his 1972 anthology Journeys from Gospel Oak and "Tried So Hard" on his 1974 anthology Some Days You Consume the Carry. "Tried So Hard" was later covered by Yo la Tengo on Fakebook in 1990. Death in Vegas and Paul Weller covered his song "So You Say You lot Lost Your Baby" on their 2003 album Scorpio Rise. In 1993 the Scottish band Teenage Fanclub recorded a tribute entitled "Cistron Clark" on their album Thirteen.

In 2007, two of his songs were recorded by Alison Krauss and Robert Establish on the T-Bone Burnett–produced Raising Sand: "Polly Come Home" and "Through the Morning, Through the Night." Also in 2007, Chris and Rich Robinson released a live version of "Polly" on their album Brothers of a Plumage: Live at the Roxy. This Mortal Whorl covered "Strength of Strings" from his album No Other and "With Tomorrow" from his album White Light. Soulsavers with Mark Lanegan recorded a version of "Some Misunderstanding" from No Other on their 2009 release, Broken. Title Tracks recorded a version of "She Don't Care About Time" on its 2010 release, It Was Easy.^{[ citation needed ]} The song "Gorgeous" from Kanye Westward's 2010 album My Beautiful Dark Twisted Fantasy is based on elements of The Turtles' cover of "Yous Showed Me".^[68]

Documentary [edit]

A documentary about Clark's life and career, entitled The Byrd Who Flew Alone, was released in 2013, featuring contributions from family, friends, the 3 surviving original members of the Byrds, latter-mean solar day Byrd John York and late-era collaborators Carla Olson and Pat Robinson. The documentary revealed that Clark was suffering from throat cancer at the time of his death.^[69]

Discography [edit]

Solo albums [edit]

• Gene Clark with the Gosdin Brothers (1967)
• White Lite (1971)
• Collector's Series - Early L.A. Sessions (1972)
• Roadmaster (1973)
• No Other (1974)
• Two Sides to Every Story (1977)
• Firebyrd (1984)
• Echoes (1991)
• Gypsy Angel – The Factor Clark Demos 1983–1990 (2001)
• Under The Silver Moon (2003)
• Silverado Live & Unreleased (2008)
• Hither Tonight – The White Calorie-free Demos (2013)
• Back Street Mirror (2018)
• The Lost Studio Sessions 1964–1982 (2018)
• No Other (box set LP, CDs, Book, etc...) (2019)

Collaborations [edit]

• The Fantastic Expedition of Dillard & Clark (1968; with Doug Dillard)
• Through the Morning Through the Night (1969; with Doug Dillard)
• McGuinn, Clark & Hillman (1979; with Roger McGuinn and Chris Hillman)
• City (1980; with Roger Mcguinn and Chris Hillman)
• So Rebellious A Lover (1987; with Carla Olson)
• Silhouetted in Light – Alive in Concert (1992; with Carla Olson)

References [edit]

1. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. half dozen. ISBN0-87930-793-v.
2. ^ ^{a b} Deming, Marking. "Gene Clark Biography". AllMusic. Rovi. Retrieved July 17, 2013.
3. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Factor Clark. San Francisco: Backbeat Books. pp. 2–four. ISBN0-87930-793-5.
4. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Cistron Clark. San Francisco: Backbeat Books. p. 23. ISBN0-87930-793-5.
5. ^ Einarson, John (2005). Mr. Tambourine Human being: The Life and Legacy of the Byrds' Cistron Clark. San Francisco: Backbeat Books. p. 24. ISBN0-87930-793-5.
6. ^ Einarson, John (2005). Mr. Tambourine Human being: The Life and Legacy of the Byrds' Factor Clark. San Francisco: Backbeat Books. p. 25. ISBN0-87930-793-5.
7. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 28. ISBN0-87930-793-5.
8. ^ Einarson, John (2005). Mr. Tambourine Human being: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 29. ISBN0-87930-793-5.
9. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Factor Clark. San Francisco: Backbeat Books. p. 31. ISBN0-87930-793-v.
10. ^ Einarson, John (2005). Mr. Tambourine Human: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. pp. 33–39. ISBN0-87930-793-v.
11. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Factor Clark. San Francisco: Backbeat Books. p. 44. ISBN0-87930-793-5.
12. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. pp. 50–51. ISBN0-87930-793-5.
13. ^ Rogan, Johnny (2008). The Byrds: Timeless Flight Revisited, the Sequel. London: Rogan House. pp. 512–513. ISBN978-0-95295-401-9.
14. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 88. ISBN0-87930-793-five.
15. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. pp. 97–109. ISBN0-87930-793-5.
16. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 113. ISBN0-87930-793-5.
17. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. pp. 116–117. ISBN0-87930-793-five.
18. ^ ^{a b} Einarson, John. (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. pp. 126–127. ISBN0-87930-793-5.
19. ^ Hjort, Christopher (2008). So You Want to Exist a Stone 'n' Roll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. p. 148. ISBN978-one-906002-15-2.
20. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Factor Clark. San Francisco: Backbeat Books. p. 130. ISBN0-87930-793-five.
21. ^ Einarson, John (2005). Mr. Tambourine Homo: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 131. ISBN0-87930-793-5.
22. ^ Einarson, John (2005). Mr. Tambourine Human being: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 147. ISBN0-87930-793-5.
23. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 149. ISBN0-87930-793-5.
24. ^ Hoskyns, Barney (2006). Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles and Their Many Friends. Hoboken, New Jersey: John Wiley & Sons. p. 65. ISBN0-471-73173-0.
25. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco CA: Backbeat Books. p. 134. ISBN0-87930-793-5.
26. ^ Unterberger, Richie (2003). Eight Miles High: Folk-Rock's Flight from Haight-Ashbury to Woodstock. San Francisco: Backbeat Books. p. 191. ISBN0-87930-743-nine.
27. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. pp. 161–162. ISBN0-87930-793-five.
28. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Cistron Clark. San Francisco: Backbeat Books. p. 164. ISBN0-87930-793-5.
29. ^ Rogan, Johnny (2008). The Byrds: Timeless Flying Revisited The Sequel. London: Rogan House. p. 487. ISBN978-0-9529540-one-9.
30. ^ Bush, John. "The Turtles | Awards". AllMusic. Retrieved October xiv, 2015.
31. ^ ^{a b c} Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco: Backbeat Books. p. 167. ISBN0-87930-793-v.
32. ^ Einarson, John (2005). Mr. Tambourine Human being: The Life and Legacy of the Byrds' Gene Clark. San Francisco CA: Backbeat Books. p. 4. ISBN0-87930-793-five.
33. ^ Hoskyns, Barney (2006). Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles and Their Many Friends. Hoboken, New Jersey: John Wiley & Sons. p. 157. ISBN0-471-73173-0.
34. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Cistron Clark. San Francisco: Backbeat Books. p. 168. ISBN0-87930-793-5.
35. ^ Rogan, Johnny (2008). The Byrds: Timeless Flight Revisited, the Sequel. London: Rogan House. p. 486. ISBN978-0-95295-401-9.
36. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Cistron Clark. San Francisco CA: Backbeat Books. p. 176. ISBN0-87930-793-five.
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External links [edit]

• Gene Clark biography at State Music Goggle box
• Cistron Clark discography at Byrds Flyght
• Factor Clark at AllMusic
• Gene Clark discography at Discogs
• Cistron Clark, The once over again Byrd: A true American dreamer
• Cistron Clark at Notice a Grave
• Gene-Clark.com

dupresibluself.blogspot.com

Source: https://en.wikipedia.org/wiki/Gene_Clark

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